A Few Paintings by Titian
Portrait of a Young Man with Cap and Gloves, Titian, 1516 — 1516, oil on panel, —
No notes associated with this paintings itinerary yet
Assumption of the Virgin, Titian, 1535 — 1535, oil on canvas, 222.0cm x 394.0cm
No notes associated with this paintings itinerary yet
Annunciation, Titian, 1562 — 1564, oil on canvas, 235.0cm x 403.0cm
Supper at Emmaus, Titian, 1533 — 1533, oil on canvas, 244.0cm x 169.0cm
1533 — 1533
Wethey says the painting is completed about 1535, but Maffei records indicate it was completed and purchased in 1533.
by Jodi Cranston 06/23/2017
1536 — 1593
Wethey doesn't specify the Maffei family tree of inheritance, he simply notes that the Gonzaga family bought it from the Maffei.
by Jodi Cranston 06/23/2017
Portrait of Cardinal Pietro Bembo, Titian, 1545 — 1546, oil on canvas, 97.0cm x 114.0cm
No notes associated with this paintings itinerary yet
Venus and Cupid with an Organist , Titian, 1555 — 1555, oil on canvas, 218.2cm x 150.2cm
No notes associated with this paintings itinerary yet
Portrait of a Man, Titian, 1508 — 1510, oil on canvas, 47.0cm x 59.7cm
No notes associated with this paintings itinerary yet
Self-Portrait, Titian, 1562 — 1562, oil on canvas, 65.0cm x 86.0cm
Philip II (full length), Titian, 1554 — 1554, oil on canvas, 98.5cm x 187.0cm
Unknown — 1940
In 1940, at the outbreak of WWII, Italian superintendents began to transfer collections outside of city centers. Giovanni Poggi, Superintendent of the Florentine Galleries, transferred most of the city's artwork to villas in the Tuscan countryside. In the fall of 1942, with increased Allied bombing of Italian cities, Poggi and other superintendents made additional evacuations from city centers.
by Jodi Cranston 06/23/2017
1944 — Unknown
According to Fasola's records, this portrait is one of the paintings missing after his 1944 inventory - after the Nazis retreat from Florence. According to Edsel, in (July) 1944 German Consul Wolf sent a letter to Poggi, informing him that the Wehrmacht troops had taken 291 paintings from Villa Bossi-Pucci and taken them to the small town Marano sul Panaro to protect them from potential battle damage as the Allies were heading to Florence.
by Jodi Cranston 06/23/2017